Last Judgment

====Cretan School====
There were many renditions of the Last Judgment completed by Greek painters living in Crete which was held by the Venetian Empire.  Most of the works of art were influenced by Venetian painting but were considered to be painted in the  [[Italo-Byzantine|Maniera Greca]].[[File:Last Judgment by F.Kavertzas (1640-41).jpg|thumb|200 px|left|''[[The Last Judgment (Kavertzas)|The Last Judgment]] by [[Franghias Kavertzas|Francheskos Kavertzas]]'', 1648]] [[Georgios Klontzas]] painted many triptychs featuring the Last Judgment some include ''[[The Last Judgment (Klontzas)|The Last Judgment]]'', ''[[The Last Judgement Triptych (Klontzas)|The Last Judgement Triptych]]'', and ''[[Triptych of the Last Judgement (Klontzas)|The Triptych of the Last Judgement]]''.  Klontzas was the forerunner of a new painting style.<ref name="core">{{cite book |last= Speake |first= Graham |author-link= |date= 2021 |title= ''Georgios Klontzas'' Encyclopedia of Greece and the Hellenic Tradition |url=https://books.google.com/books?id=3ockEAAAQBAJ&dq=Georgios+klontzas+painter&pg=PA894|location= London And New York |publisher=Rutledge Taylor & Francis Group |pages= 892-893 |isbn= 9781135942069}}</ref>{{sfn|Hatzidakis|Drakopoulou|1997|pp=89-91}}

Other Greek painters followed the precedent set by Klontzas.  [[Theodore Poulakis]] added the last judgment to his rendition of Klontzas' ''[[In Thee Rejoiceth (Poulakis)|In Thee Rejoiceth]]''.  The painter incorporated the Last Judgement into one of Klontzas' earlier works entitled  ''[[In Thee Rejoiceth (Klontzas)|In Thee Rejoiceth]]''.  Poulakis payed hommage to the father of the Last Judgement style.{{sfn|Hatzidakis|Drakopoulou|1997|pp=304-317}}  [[Leos Moskos]] and [[Franghias Kavertzas|Francheskos Kavertzas]] also followed the outline for the stylistic representation of the Last Judgement set by Klontzas.  Their works were ''[[The Last Judgment (Kavertzas)]]'' and ''[[The Last Judgment (Moskos)]]''.  Both paintings resemble Klontas' Last Judgement painting.{{sfn|Hatzidakis|Drakopoulou|1997|pp=46-48, 205-208}}{{sfn|Siopis|2016|pp=38}}