Mariah Carey Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.Anti-spam check. Do not fill this in! === 1997β2000: New image with ''Butterfly'', and ''Rainbow'' === Carey's subsequent musical releases followed the trend that began with ''Daydream''. Her music began relying less on pop and adult contemporary-tinged balladry and instead incorporating heavy elements of hip-hop and R&B. On ''[[Butterfly (Mariah Carey album)|Butterfly]]'', Carey collaborated with a bevy of producers other than Afanasieff, such as [[Sean Combs]], [[Q-Tip (musician)|Q-Tip]], [[Missy Elliott]] and Jean Claude Oliver and Samuel Barnes from [[Trackmasters]].<ref name="nickson40"/> In mid-1997, after four years of marriage, Carey and Mottola separated. Carey described Mottola as increasingly controlling, and viewed her newfound independence as a new lease on life.<ref name="nickson41"/> In the booklet of her twelfth studio album, ''[[Memoirs of an Imperfect Angel]]'' (2009), Carey wrote that she considers ''Butterfly'' her ''[[Masterpiece|magnum opus]]'' and a turning point in both her life and career. ''Butterfly'' introduced a more subdued style of singing, with critics noting Carey's incorporation of [[Breathy voice|breathy vocals]].<ref name="L2U7u"/> Some viewed her lack of propensity to use her upper range as a sign of maturity,<ref name="buff"/> while others questioned whether it forebode waning vocal prowess.<ref name="Iox35"/><ref name="shapiro18"/> The music video for the album's lead single, "[[Honey (Mariah Carey song)|Honey]]", her first since separating from Mottola, introduced a more overtly sexual image.<ref name="shapiro19"/> ''Butterfly'' became Carey's best-reviewed album, with attention placed on the album's exploration of more mature lyrical themes. In their review of the album, ''[[Rolling Stone]]'' wrote "[It's] not as if Carey has totally dispensed with her old saccharine, Houston-style balladry ... but the predominant mood of 'Butterfly' is one of coolly erotic reverie."<ref name="UjjXX"/> AllMusic editor [[Stephen Thomas Erlewine]] described Carey's vocals as "sultrier and more controlled than ever," and felt the album "illustrates that Carey continues to improve and refine her music, which makes her a rarity among her '90s peers.'"<ref name="all"/> "Honey" and "[[My All]]", the album's fifth single, both topped the Hot 100, making Carey a female artist with the most number-one singles in the chart's history. Though a commercial success, ''Butterfly'' failed to reach the commercial heights of her previous albums, ''Music Box'' and ''Daydream''.<ref name="shapiro20"/> After concluding her [[Butterfly World Tour]], Carey participated in the [[VH1 Divas]] [[benefit concert]] on April 14, 1998, where she sang alongside [[Aretha Franklin]], [[Celine Dion]], [[Shania Twain]], [[Gloria Estefan]], and [[Carole King]].<ref name="divas"/> Carey began conceptualizing a film project ''All That Glitters'', later re-titled to simply ''[[Glitter (film)|Glitter]]'' (2001),<ref name="boston"/> and wrote songs for other projects, such as ''[[Men in Black (1997 film)|Men in Black]]'' (1997) and ''[[Dr. Seuss' How the Grinch Stole Christmas (2000 film)|How the Grinch Stole Christmas]]'' (2000).<ref name="shapiro21"/> After ''Glitter'' fell into [[development hell|developmental hell]], Carey postponed the project, and began writing material for a new album.<ref name="shapiro21"/> [[Sony Music Entertainment|Sony Music]] executives insisted she prepare a greatest hits collection in time for the holiday season.<ref name="shapiro22"/> The album, titled ''[[Number 1's (Mariah Carey album)|#1's]]'' (1998), featured a cover of [[Brenda K. Starr]]'s "[[I Still Believe (Brenda K. Starr song)|I Still Believe]]" and a duet with [[Whitney Houston]], "[[When You Believe]]", which was included on the soundtrack for ''[[The Prince of Egypt]]'' (1998).<ref name="shapiro23"/> ''#1's'' became a phenomenon in Japan, selling over one million copies in its opening week, making Carey the only international artist to accomplish this feat.<ref name="japansales"/> It sold over 3.25 million copies in Japan in its first three months, and holds the record as the [[List of best-selling albums in Japan|best-selling album]] by a non-Asian artist.<ref name="japansales"/> [[File:Mariah Carey in Cannes, 2000.png|thumb|left|upright|Carey being interviewed in [[Cannes]] in 2000]] With only one album left to fulfill her contract with Sony, and with a burning desire to separate herself professionally from the record label her ex-husband still headed, Carey completed the album in three months in mid-1999.<ref name="shapiro6">{{harvnb|Shapiro|2001|pp=75}}</ref> Titled ''[[Rainbow (Mariah Carey album)|Rainbow]]'', the album found Carey exploring with producers whom she had not worked with before. ''Rainbow'' became Carey's first album to not feature a collaboration with her longtime writing partner, [[Walter Afanasieff]]; instead she chose to work with [[David Foster]] and [[Diane Warren]]. "[[Heartbreaker (Mariah Carey song)|Heartbreaker]]" and "[[Thank God I Found You]]" both topped the ''Billboard'' Hot 100, while a collaboration with Irish boy band [[Westlife]] on the cover of [[Phil Collins]]' "[[Against All Odds (Take a Look at Me Now)]]" became Carey's second number-one hit on the UK charts. ''Rainbow'' was released on November 2, 1999, to the highest first-week sales of her career at the time; however, debuting at number two on the ''Billboard'' 200.<ref name="shapiro30"/> Carey's tense relationship with Columbia grew increasingly fractious; she began posting messages on her website, sharing inside information with fans on the dispute, as well as instructing them to request "[[Can't Take That Away (Mariah's Theme)]]" on radio stations.<ref name="shapiro28"/> Ultimately, the song was only given a very limited and low-promotion release.<ref name="shapiro29"/> Critical reception of ''Rainbow'' was generally positive, with the general consensus finding: "what began on ''Butterfly'' as a departure ends up on ''Rainbow'' a progression β perhaps the first compelling proof of Carey's true colors as an artist."<ref name=ew>{{cite magazine|url=https://www.ew.com/ew/article/0,,271534,00.html|title=Mariah Carey β Rainbow|last=Smith|first=Danyel|magazine=[[Entertainment Weekly]]|date=November 12, 1999|access-date=March 8, 2011|archive-date=May 21, 2011|archive-url=https://web.archive.org/web/20110521001925/http://www.ew.com/ew/article/0,,271534,00.html|url-status=dead}}</ref> Though a commercial success, ''Rainbow'' became Carey's lowest selling album at that point in her career.<ref name="fox"/> On April 9, 2000, Carey participated in another [[VH1 Divas]] concert, in a tribute to [[Diana Ross]]. 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