Aristotle Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.Anti-spam check. Do not fill this in! === Medieval Europe === {{further|Aristotelianism|Syllogism#Medieval}} With the loss of the study of ancient Greek in the early [[medieval]] Latin West, Aristotle was practically unknown there from {{Circa|CE 600}} to {{Circa|1100}} except through the Latin translation of the ''Organon'' made by [[Boethius]]. In the twelfth and thirteenth centuries, interest in Aristotle revived and Latin Christians had translations made, both from Arabic translations, such as those by [[Gerard of Cremona]],{{sfn| Hasse | 2014}} and from the original Greek, such as those by [[James of Venice]] and [[William of Moerbeke]]. After the [[Scholasticism|Scholastic]] Thomas Aquinas wrote his ''[[Summa Theologica]]'', working from Moerbeke's translations and calling Aristotle "The Philosopher",{{sfn|Aquinas|2013}} the demand for Aristotle's writings grew, and the [[Greek language|Greek]] manuscripts returned to the West, stimulating a revival of Aristotelianism in Europe that continued into the [[Renaissance]].{{sfn| Kuhn | 2018}} These thinkers blended Aristotelian philosophy with Christianity, bringing the thought of Ancient Greece into the Middle Ages. Scholars such as Boethius, [[Peter Abelard]], and [[John Buridan]] worked on Aristotelian logic.{{sfn| Lagerlund}} According to scholar Roger Theodore Lafferty, [[Dante]] built up the philosophy of the ''[[Divine Comedy|Comedy]]'' with the works of Aristotle as a foundation, just as the scholastics used Aristotle as the basis for their thinking. Dante knew Aristotle directly from Latin translations of his works and indirectly through quotations in the works of [[Albert Magnus]].<ref>Lafferty, Roger. "[https://www.jstor.org/stable/pdf/40165857.pdf?refreqid=excelsior%3A55f6bfc22f02768d5dcdc92005228933 The Philosophy of Dante]", pg. 4</ref> Dante even acknowledges Aristotle's influence explicitly in the poem, specifically when Virgil justifies the Inferno's structure by citing the ''[[Nicomachean Ethics]]''.<ref>''Inferno'', Canto XI, lines 70β115, Mandelbaum translation.</ref> Dante famously refers to him as "he / Who is acknowledged Master of those who know".<ref>''Inferno'', Canto IV, lines 115-16 trans., 131 original, Robert Pinksky translation (1994); note to line, p.384</ref>{{sfn| Kukkonen | 2010 | page=74}} Summary: Please note that all contributions to Christianpedia may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here. You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see Christianpedia:Copyrights for details). Do not submit copyrighted work without permission! Cancel Editing help (opens in new window) Discuss this page